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Category: Projects

The Disjointed Changelog

The Disjointed Changelog distorts the classical fable storyline, referencing coding languages and concepts of innovation in computing history to tell a story of two friends struggling with change.

The video is part of the Trilogy of Painful Changes, which has been shown in museums and at festivals in Europe and the US since 2015.

EVACUATION DRILL

The performance “Evacuation Drill” explores the bodily tension between crowd control, self-improvement and lifestyle. The gallery is between Islington and Hackney in London, which was a frontline of gentrification at the time.
During the performance, participants were split into two groups, training either in relaxation techniques or in crowd control. A DJ set tied the two sessions together with music. On the  sound of a siren, the crowd controllers started to evacuate the group that had just been practising yoga stretches. The music carries on in what’s become an atmosphere of chaos, until the evacuators and evacuees leave the building and the metal door slams shut.

THE REENACTMENT

“The Reenactment” is a video art piece by artist Caspar Below from 2002. It features four artists who were paid £5 to follow his verbal instructions for half an hour. 

The video starts with Caspar Below giving instructions to the four artists and then asking them to follow instructions, which turn out to be re-enactments of seminal video pieces.  

“The Reenactment” is an interesting take on how we view art, its creators, the means of production and pay.

THE DROWNING OF BAD ADVICE

In 2009 I ran a number of events (“I Told You So”) for participants to deposit bad pieces of advice they had received at some point, and which they’d like to rid themselves of. I offered the a service to receive this piece of advice from them, but also offered the additional service of symbolically dispatching the bad advice through a ritual of their choice. The drowning was one such ritual, which took place after a group walk with some of the participants who had volunteered their bad advice.

flowers and postcards of bad advice, sinking in the Thames

Camberwell Arts Archive

For Camberwell Arts’ 20th birthday, Caspar Below founded the Camberwell Arts archive to document the history of the grassroots arts organisation through artefacts, photos, documents and oral history recordings. The archive is being deposited at Lambeth and Southwark Archives. The five year collective project aims to provide a record, but also a narrative of the artist-led annual alternative art festival, with its tradition of DIY culture, audience participation and using local businesses as venues.

A comic-like illustration of a happy robot dancing among flying papers and shelves of boxes

Good Advice No.48-52

Good Advice, No. 48-52 is an excerpt from a sound art piece in which hundreds of people submitted pieces of advice to the artist. The recorded responses were then arranged in order and played out as they would have been given by the person telling them.

The sound art piece was created by Caspar Below in 2003 in Bristol, and features experiences, jokes, fears and life lessons from children, young people and adults.

charcoal drawing of a large archive with sheets of paper flying in the air. A robot stands among the bookshelves and reads from a piece of paper

  

PAYDAY LOAN CENOTAPH

TEMPORARY MONUMENT FOR THE VICTIMS OF MODERN DAY HIGHSTREET ROBBERY: A BUS CONDUCTOR KIOSK ON DENMARK HILL WAS REINCARNATED AS THE PAYDAY LOAN CENOTAPH, A SCULPTURE COMMEMORATING THE UNKNOWN VICTIMS OF FINANCIAL PROFITEERING.

On Saturday the 15th June 2013, the bus conductor kiosk on Denmark Hill was reincarnated as the Payday Loan Cenotaph, a sculpture commemorating the unknown victims of financial profiteering. A modern-day monument for Camberwell, complete with wreaths, the Cenotaph – meaning literally, ’empty tomb’ – bore memorial inscriptions to the unknown debtor and flew white flags signifying innocence and surrender. In an appropriate additional narrative of despair, attack, collapse and the hope for redemption, the opening ceremony was accompanied by a local citizen directing a casual tirade of verbal abuse and aggressive posturing at passers-by, and the simultaneous collapse and eventual recovery of his companion, both residents of the pavement adjacent to the Cenotaph. For 48 hours this monument served the people of Camberwell and the passers-by on their buses, before going the way of all material things.

LIQUID MEMORIALS

AN ALTERNATIVE MEMORIAL EVENT, USING THEMED COCKTAILS AND STORY-TELLING

Four “Liquid Memorial” cocktails, especially designed by Caspar Below for the 2012 Camberwell Arts Festival and the Stormbird pub. These historical cocktails, new creations and variations of modern classics have been introduced to commemorate local stories, characters, occasions and events. For the price of a drink, punters could own a piece of it.

The Ruskin Shooter – An enlightened drink of white vermouth, gin and Kümmel

A drink in honour of the Camberwell-based Victorian artist and critic John Ruskin. After a harrowing experience at the Father Redcap music hall, he found that there was no truth in art and is rumoured to have had a vision on Camberwell Green. Shortly after his vision, he asked his friend Oldfield to include the biblical scene of Sin Entering Into the World (Romans 5:12) in the design of the ornamental east window at nearby St Giles.

Order this drink to come to your senses.

The Stop and Search-A southeasterly gale of mint and brandy on ice

A chilly start to the evening, with a predicted increase in roadside stop and searches. With numbers of pre-crime arrests anticipated to go up during the Olympic season, highs of oppression and profiling may cause strong winds later on.

Turn yourself in and ask at the bar for a Stop and Search.

The Camber Tosh – A murky mixture of dark rum, cassis and ice

A beverage of superficial benefits, enjoy the Camber Tosh to commemorate generations of people who travelled to the Camber Well, believing it would provide relief from their ailments.

The Camber Well was rediscovered in 2009 in a back garden on Camberwell Grove by a local archaeologist. With usage of the well possibly going back as far as 3000 years, its reputation for healing the crippled may have given the well its name of “camber”, from Latin “camurus” for crooked or bent.

Today crooked or bent people still have a thriving business in Camberwell, peddling false hope and quick money to both the gullible and greedy.

The Bitter End – The finite taste of dark rum and blackstrap molasses

A drink not only for the anaemic, the Bitter End is a memorial drink to the disappointed Camberwell revellers of social change, who didn’t get to benefit from the fruit of their labour.

Raise a toast to those trade unionists, radicals, those rawdy people on Camberwell fair, the NUWC, those chartists, squatters and mad campaigners on the green and those abortionists, civil rights, anti-racism and housing campaigners, feminists and republicans in the backrooms of pubs.

Order the Bitter End with a straight back and the determined look of the underdog in your eye.

SENSITIVE BUILDING, 2004

VIDEO EXPLORATION OF THE PROHIBITED SPACES AND BEHAVIOURS AROUND GOVERNMENTAL BUILDINGS

In the summer of 2004 a number of well known, as well as more confidential, government buildings were photographed. This video shows his conversations with security staff and police as they stop him from taking photos, this video is also a transgression of those same rules, recorded with hidden cameras.

NOW AVAILABLE TO THE PUBLIC, 2003

Man gets filmed in shops and asks for copies. Shops panic.No”Now available to the public” is a video art piece created by artist Caspar Below in 2003. In this video, Caspar Below visits shops, museums and other public locations in Bristol. Below then submitted subject access requests for any CCTV footage that has been recorded of him in these locations.
The video contrasts the footage provided, his own recordings and letters sent to him by the locations explaining why they couldn’t provide him with footage or copies of their CCTV.
A moment in time at the beginning of the millennium, it shows the fragility of surveillance tech and raises questions about the impact on public life.one knows what’s going on.